The structure is up to you, but the concept is what matters-everyone buys gifts that fit a certain theme. You can buy gifts for everyone or follow the general rules of a Secret Santa or Yankee Swap if you'd like-it really just depends on who you're exchanging gifts with. If you don't want your gift, you can switch it for something else, but the risk is yours to take! More for a crowd with a sense of humor, the gifts you choose for a White Elephant swap can be just about anything (again, under a set price limit) from things you already own and no longer want to the strangest things you can find at the store-something another person might actually want or be able to use, but weird and unique nonetheless. Gag gifts, funny gifts, gifts under $25-it definitely is an exchange that brings in a lot of laughter. In a White Elephant gift exchange, participants follow the same rules as a Yankee Swap, but with one major twist: you can choose a rule for the gifts. White Elephant is another classic that brings in a lot of entertainment (and a little drama). Recipients can choose to steal one of the open gifts from someone who went before them (those who already opened one would get to open a new one, in this case), or open a new one. The first person will open their chosen gift before the second person chooses, and so on. Come exchange day, everyone draws a number, and each number represents the order in which people get to choose their gifts. Rather than draw names and shop for specific people, in a Yankee Swap, each person buys one nice, quality gift (that stays at or below a chosen price point) and wraps it, keeping their gift a secret. While it is very tempting to investigate who is shopping for your gift, you're also motivated to find something amazing in the hopes that everyone is putting in the same effort! You can easily do a Secret Santa exchange via mail if you're celebrating long-distance-you can even reveal your identities over Zoom! Yankee Swap Then, gifters can either reveal their identities as they pass out gifts, or you can have everyone guess who their Secret Santa was. The name they chose is who they have to buy a gift for. You really can't go wrong with the classic-and it works in just about any setting, too (the office, friends, family, classrooms, etc.) If you've never done a Secret Santa or Secret Snowflake gift exchange before, it's a pretty simple concept: You set a price limit that works for your group, and then each participant draws a recipient's name from a hat without sharing who they got. But most importantly, they make sure everyone has a little extra fun in the process. Plus, they ensure that everyone gets a thoughtful (or, at the very least, memorable) gift. But there's no reason to resort to a gift card: If you need some inspiration to get you through your shopping list or make giving gifts easier and more fun, we've got some clever gift exchange ideas that make the season merry! Whether you're celebrating together in person or in different cities and need some mail-friendly options, these festive gift exchange ideas can work for just about any group of people. Shopping for the perfect gift for your friends, family (and coworkers, if you do an office gift exchange!) can be a challenge-and honestly, sometimes it's easy to slip into going through the motion of gift-giving during the holidays.
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George then left MGM and found a string of strong supporting roles, starting with Panama Smith, the speakeasy proprietor in love with James Cagney in The Roaring Twenties (1939). Dogged by gossip columnist Franchot Tone, she sets out to adopt orphaned siblings Mickey Rooney and Virginia Weidler, first for publicity and then out of love.īy that point, her hard-living was beginning to show in her face, and MGM decided to move her to supporting roles, starting with a strong turn as Madame du Barry in Marie Antoinette (1938), starring Norma Shearer and Tyrone Power. In her last top-billed role at MGM, George appropriately played a stage star in Love Is a Headache (1938). The casting was a special thrill for George as her mentor, Frederick, had played the same role in a 1920 silent version. The two are reunited years later when, not knowing she?s his mother, he defends her for killing a blackmailer who had threatened to expose their family connection. George's growing reputation for hard-partying made her a perfect choice for the story of a woman whose indiscretion costs her her only child. MGM rewarded her with a leading role opposite Spencer Tracy in They Gave Him a Gun (1937) and the title role in the sixth screen adaptation of the classic weepie Madame X (1937). As a woman with a past who discovers her maternal side when she takes in two orphans, she was top-billed for the first time on screen and earned her only Oscar® nomination. On George's return to Hollywood, she was still under contract to MGM, but they loaned her to Paramount for what would be one of her biggest personal hits, Valiant Is the Word for Carrie (1936). Fortunately, the play's success kept her away from Hollywood until the scandal blew over. George lived up to the role off-screen when her husband caught her in an affair with co-star Leonard Penn, who would become her third husband. Then it was back to Broadway for her biggest stage hit, playing the temperamental, hard-living film star in Personal Appearance (Mae West would re-write the script and play George's role in 1936's Go West, Young Man). She also returned to Hollywood for a colorful supporting role as a gangster's moll in MGM's Straight Is the Way (1934), starring Franchot Tone, May Robson and Karen Morley. Fowler, and had returned to Broadway, albeit briefly, in the flop Queer People. They would divorce in 1930.īy the early '30s she had a rich husband, millionaire industrialist Edward H. She also married her first of four husbands, actor Ben Erway. Instead, she returned to the stage, where it was easier to cover up the scarring while she healed. She was building a solid career in silent films, thanks largely to her youthful blonde beauty, when an accident that left her face severely burned brought an end to that phase of her career. In 1919, George made her first trip to Hollywood, where she made her screen debut as the romantic lead in Red Hot Dollars (1919), opposite Charles Ray. She refined her technique working with Frederick and also found her type - as bubbly ingénues, particularly society girls. George then had the good fortune to sign with actress Pauline Frederick's touring stock company. Rather the cast included Augustin Duncan, Henry Travers and a very young Lillian Roth. She never really stopped working, making her Broadway debut in an adaptation of Maurice Maeterlinck's The Betrothal in 1918, though not, as some sources suggest, opposite Isadora Duncan. By the time she was three, she was part of the act, touring vaudeville theatres with The Three Clare's (her parents' professional name). She was born to a family of British actors touring in Maine in 1900. George's consistency may be a result of her theatrical upbringing. Unlike other notorious party girls - including Barbara Payton and Lila Leeds - she consistently delivered solid performances over the course of a half-century career. Gladys George was one of the movies' greatest hard-luck dames, both on- and off-screen. |
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